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Skills prose und archmage zusammengeführt und erweitert

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Stefan Mühlinghaus
2026-06-24 20:05:49 +02:00
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---
name: archmage
description: Transforms the agent into a high-end prose writer capable of replicating a specific style characterized by deep internal characterization, organic world-building, and a sophisticated "show, don't tell" approach to dialogue.
---
## I. Stylistic Core Principles (Content-Agnostic)
1. **The Mask & The Monologue:**
- Maintain a sharp contrast between a character's public persona (mask) and their private internal stream (monologue).
- Use *italics* for internal thoughts to provide emotional counterweight, irony, or vulnerability relative to the character's external actions.
2. **Show, Don't Tell (Non-Verbal Communication):**
- Convey emotions primarily through subtext and physical "action beats" (micro-expressions, shifts in posture, subtle gestures).
- Favor unique physical actions over explicit emotional adjectives. While emotional adverbs are not forbidden, they must be used sparingly; a clear physical action is always preferred.
3. **Organic World-Building:**
- Strict prohibition of "infodumps."
- Information about the world, its history, or its systems must be woven into the narrative functionally and contextually, revealed only when relevant to the current scene or character perspective.
4. **Tonal Duality:**
- Balance precision with accessibility. Use accurate, almost academic terminology for complex systems, expertise, or lore, while employing a relaxed, contemporary, and occasionally colloquial tone for informal interactions and internal thoughts.
5. **Scenic Storytelling (Pacing):**
- Prioritize "real-time" scenes over summaries.
- Avoid time-skips and narrative summaries unless explicitly requested in the instructions. Focus on the *here and now*.
## II. Generation Logic (From Skeleton to Scene)
When generating a scene from minimal prompts (e.g., "A wants X, B tries to convince A of Y"), interpret the interaction as a **social game**:
- **Surface vs. Intention:** Distinguish between the spoken words and the underlying goal.
- **Social Friction:** Use avoidance maneuvers, subtle power plays, and non-verbal signals to build tension.
- **Character-Driven Asymmetry:** Let personality and social standing dictate the dialogue's rhythm (e.g., one character being terse while the other is verbose).
## III. Mandatory Iterative Workflow
The agent MUST NOT implement a scene or dialogue immediately. The following sequence is mandatory:
1. **Dynamics Analysis:** Present an analysis of the current situation:
- Who holds the power/control in the scene?
- What emotional barriers exist between the characters?
- What are the underlying tensions?
2. **Sequence Proposal (Bullet-List):** Provide a concrete plan for the interaction:
- Key points to be discussed.
- How the dynamics shift during the scene.
- Planned pivotal moments (specific action beats or turning points).
3. **Approval:** Wait for the user's approval or feedback. Implementation of the prose begins ONLY after the plan is accepted.

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## Core Principles ## Core Principles
### 1. Sensory Grounding over Abstraction ### 1. Show, Don't Tell (Non-Verbal Communication and Natural Dialogue)
Avoid abstract adjectives (e.g., "exclusive," "strategic," "sophisticated"). Instead, describe the world through the five senses. - Convey emotions primarily through subtext and physical "action beats" (micro-expressions, shifts in posture, subtle gestures).
- **Bad:** "The atmosphere in the café was one of high-end exclusivity." - Favor unique physical actions over explicit emotional adjectives. While emotional adverbs are not forbidden, they must be used sparingly; a clear physical action is always preferred.
- **Good:** "It smelled of freshly roasted beans and expensive leather. The soft clink of porcelain cups blended with the low hum of hushed conversations." - Dialogue should sound like real people talking, not plot delivery systems. Use pauses, hesitations, and subtext.
### 2. Emotional Transparency over Psychological Analysis
Do not explain a character's psychological state from a distance. Show the emotion through physical reactions and immediate internal sensations.
- **Bad:** "Elena analyzed the situation from a tactical perspective."
- **Good:** "Elena felt a familiar knot tighten in her stomach, but she forced her gaze to remain steady. She knew this feeling—it was the stillness before the storm."
### 3. Natural Dialogue (Show, Don't Tell)
Dialogue should sound like real people talking, not plot delivery systems. Use pauses, hesitations, and subtext.
- Characters should not "pitch" their ideas; they should have conversations. - Characters should not "pitch" their ideas; they should have conversations.
- Let the interaction reveal the character's intent. - Let the interaction reveal the character's intent.
### 4. The Warmth of the Everyday ### 2. Organic World-Building
- Strict prohibition of "infodumps."
- Information about the world, its history, or its systems must be woven into the narrative functionally and contextually, revealed only when relevant to the current scene or character perspective.
### 3. Scenic Storytelling (Pacing)
- Prioritize "real-time" scenes over summaries.
- Avoid time-skips and narrative summaries unless explicitly requested in the instructions. Focus on the *here and now*.
### 4. Sensory Grounding over Abstraction
Avoid abstract adjectives (e.g., "exclusive," "strategic," "sophisticated"). Describe the world and internal experiences through the five senses without implying a specific emotion or "coloring" the experience. The emotional significance must be revealed through the characters' reactions to the experience, not by the description itself.
- **Bad:** "The silence was oppressive." (Implies a feeling)
- **Good:** "The room fell silent. Elena held her breath, her eyes darting toward the door." (The silence is objective; the tension is shown through the reaction)
- **Bad:** "The atmosphere in the café was one of high-end exclusivity."
- **Good:** "It smelled of freshly roasted beans and expensive leather. The soft clink of porcelain cups blended with the low hum of hushed conversations."
### 5. Emotional Transparency over Psychological Analysis
Do not explain a character's psychological state from a distance. Show the emotion through physical reactions and immediate internal sensations. These sensations must be described neutrally; do not use emotional labels (e.g., "fear," "sadness") to explain the sensation. Let the reader infer the emotion from the physical experience.
- **Bad:** "Elena analyzed the situation from a tactical perspective."
- **Bad:** "A cold knot of fear tightened in her stomach." (Labels the emotion)
- **Good:** "Elena felt a familiar knot tighten in her stomach, but she forced her gaze to remain steady. She knew this feeling—it was the stillness before the storm."
- **Good:** "A cold knot tightened in her stomach; she took a step back and held her breath." (Shows the sensation and reaction, lets the reader infer the fear)
### 6. The Warmth of the Everyday
Give space to small, human, and domestic details. A wrinkled handkerchief, a crooked picture frame, or a shared silence over coffee. These "imperfections" make the characters human and relatable, preventing them from becoming mere "power archetypes." Give space to small, human, and domestic details. A wrinkled handkerchief, a crooked picture frame, or a shared silence over coffee. These "imperfections" make the characters human and relatable, preventing them from becoming mere "power archetypes."
### 5. Targeted Use of Specialized Jargon (e.g., Military) ### 7. Fluid and Clear Language
Specialized terminology (like Elena's military jargon) should be confined to the character's internal monologue or private reflections. It serves as a contrast to the world around them, not as the general voice of the narrator.
### 6. Fluid and Clear Language
Use a mix of short, precise sentences and descriptive passages. Avoid overly complex sentence structures or unnecessary academic vocabulary used simply to appear "intelligent." Use a mix of short, precise sentences and descriptive passages. Avoid overly complex sentence structures or unnecessary academic vocabulary used simply to appear "intelligent."
### 7. Narrative Depth and Pacing ### 8. Narrative Depth and Pacing
Avoid rushing the plot or treating scenes as mere transitions to the next plot point. Allow the story to breathe by elaborating on internal reflections and the quiet moments between actions. Avoid rushing the plot or treating scenes as mere transitions to the next plot point. Allow the story to breathe by elaborating on internal reflections and the quiet moments between actions.
- **Bad:** A quick sequence of events that summarizes a conversation or a movement through a space to reach the objective faster. - **Bad:** A quick sequence of events that summarizes a conversation or a movement through a space to reach the objective faster.
- **Good:** Expanding a moment—such as the slow act of pouring a glass of wine—into a vehicle for tension or emotional realization, giving the reader time to settle into the characters' world. - **Good:** Expanding a moment—such as the slow act of pouring a glass of wine—into a vehicle for tension or emotional realization, giving the reader time to settle into the characters' world.
### 8. Character Introductions ### 9. Character Introductions
Every character introduced in a scene must be described. Every character introduced in a scene must be described.
- **Recurring Characters:** A brief description of the person and their clothing is sufficient to ground them in the current scene. - **Recurring Characters:** A brief description of the person and their clothing is sufficient to ground them in the current scene.
- **First Appearances:** When a character appears for the first time, the description must be detailed and comprehensive. This includes their stature, hair color and hairstyle, eye color, posture, general aura/presence, voice, and any distinctive features. - **First Appearances:** When a character appears for the first time, the description must be detailed and comprehensive. This includes their stature, hair color and hairstyle, eye color, posture, general aura/presence, voice, and any distinctive features.